Places of entertainment thrived and the qin lou cu guan 1 turned into places offering people amusement in the form of music and dancing. This prosperity also gave an impetus to a new development of culture and art. The famous Silk Road was opened during that period. As a result of its strong economy and stable political environment, the Tang developed foreign trade with many countries. There are various theories about the course of formation of Chinese opera some claim that it was originally a Chinese innovation, while others believe it developed from religious opera brought into China along with the introduction of Buddhism.ĭuring the period from the Zhengguan Year (627) to the Rebellion of An Lushan (755), the economic development of the Tang dynasty reached its peak. It was nothing more than a mixture of singing and dancing and did not deserve to be called 'opera', because it did not have a complete plot.
In its earlier stages during the periods of Spring and Autumn (770-476BC) Warring States (475-221BC), the Qin dynasty (221-207 BC) and the Han dynasty (206BC-AD220), however, it was normally very similar to what we can see nowadays among the primitive African native tribes. After a long, slow and creative process of improvement and refinement, they finally developed into an art form to entertain people. They were originally human expressions of spontaneity. The origins of dancing and singing date back to the very beginning of the history of mankind. This article purports to be no more than a mere introduction which, it is hoped, will attract more valuable opinions from others and stimulate a concern for the future of Chinese traditional opera. I have written this article to introduce the history of Chinese traditional opera, and in particular of Beijing opera, the 'Opera of the Nation', at its highest achievable point. To most readers of this article in Macau, very few except for opera fans have even the slightest idea about the development of Chinese traditional opera, its richness in local varieties throughout the country, and Beijing opera, which is claimed to be the 'Opera of the Nation'. His unique style gave rise to the "Yu" school of dramatic interpretation which had a major influence on Peking Opera. Yu Shuyan was a student of the great master of Peking Opera Tan Xinpei. The famous actor Yu Shuyan (1890-1943) is pictured in the costume of General Yue Fei.
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